The Windmill Trust together with the National Association for the Visual Arts (NAVA) are pleased to announce that Rachel Peachey and Paul Mosig are this year’s recipients of the 20th annual Windmill Trust Scholarship for NSW Regional Artists which was doubled this year to $10,000.
"We are very honoured and grateful to receive the 2017 Windmill Trust Scholarship. The generous support of the Trust will allow us the time and space to carry out field research that will inform several new works. It will also give us the opportunity to document and share the outcomes in a quality publication for a wider audience." Rachel Peachey and Paul Mosig
The couple will undergo a process of historical inquiry and a period of creative field research in order to produce two major new works. One will be exhibited as part of ‘The Altitude Project’taking place in Kingsford Smith Park, Katoomba on 17 February 2018, and the other will be part of their ‘Out of Bounds’ project at the Blue Mountains City Art Gallery (BMCAG) in May 2018.
Rachel Peachey and Paul Mosig with their children Sascha and Jack collaborate using photography, video, textiles, sculpture and found objects to look at human / environment relationships and the idea of artist as both maker and curator. The underlying and ongoing themes of their collaboration consider sadness, exhaustion, awe and balance. Their work often involves documentation of themselves and their two children interacting in a variety of landscapes; their current work uses the archetypal children’s playground as a design reference and a particular setting for field studies and experimentation.
“Rachel Peachey and Paul Mosig’s multi-disciplinary work demonstrates a keen interest in performance and collaboration and was a stand out for us among this year’s applications. We are excited to award this significant scholarship in its 20th year to regional artists with such an evolving and diverse practice.” 2017 Assessors - Michael Moran, Curator MAMA Albury and Talia Linz, Curator Artspace
The Windmill Trust Scholarship was established in 1997 by Primrose Moss to honour her sister, artist and former Director of the Macquarie Galleries, the late Penny Meagher and is targeted at Regional NSW Artists.
The Windmill Trust Scholarship was born out of a desire to offer support to NSW artists living outside metropolitan areas to advance their careers. Over the years the Windmill has managed to increase awareness of the vast array of talent that exists in the diverse regional centres of NSW, including Bathurst, Moree, Orange, Wapengo and the Northern Rivers, supporting projects from a diverse range of media.
This year’s recipients will also be part of the upcoming 20th anniversary exhibition at MAMA, Albury. The exhibition officially opens on Saturday 23 September and runs from 14 September to 22 October 2017 with funding from the Windmill Trust, Create NSW and support by both MAMA and NAVA.
Today the Windmill Trust announced an expansion of their Windmill Trust Scholarship for Regional NSW Artists, administered by the National Association for the Visual Arts (NAVA). It recognises and rewards the high quality of art practice coming out of rural and regional areas.
Primrose Moss founder of the Trust said, "2017 is the 20th anniversary of the Scholarship and represents a milestone for the Trust. We are delighted to announce the program for 2017 includes a doubling of the award to $10,000 and a 20th anniversary retrospective exhibition in 2017 of the works of the past winners.”
The 20th anniversary exhibition to be held September – October 2017 at MAMA, Albury has received funding from Arts NSW and is being supported by both MAMA and NAVA.
Tamara Winikoff OAM, Executive Director of NAVA said, “This prestigious award has a tremendous impact in providing career changing opportunities to regional NSW artists. In its 20th year we have been enormously proud of the outcomes. Now these can be greatly expanded. The additional funding will further inspire and recognise the excellence of regional NSW artists’ work. It enables artists to realise their dreams for exhibitions, residencies and research undertaken both locally and internationally. The Windmill is a fitting memorial to the artist Penny Meagher in whose name it was established.”
Duke Albada winner of the 2016 scholarship said “The scholarship enabled me to undertake a project on the Apollo Estate (in Dubbo) that connected with community, fostered pride and had positive and long lasting social impacts. The Windmill Trust Scholarship enabled me to investigate and begin this community art project. It wouldn’t have been possible without it. “
Application for the 2017 Windmill Trust Scholarship for Regional NSW Artists is now open and closes on Saturday 10th June 2017. One $10,000 scholarship will be awarded. Applications can be made online at: https://visualarts.net.au/nava-grants/
For further information on the Windmill Trust and previous winners of this award visit http://www.windmilltrust.org.au/
For more information on the Windmill Trust, the 2017 Scholarship and the
The Windmill Trust together with the National Association for the Visual Arts (NAVA)are pleased to announce that Duke Albada is this year’s recipient of the 19th annual Windmill Trust Scholarship for NSW Regional Artists of $5,000.
In September 2016, Albada will be Artist in Residence at Apollo Estate, a social housing area in East Dubbo, NSW. Her project, ‘Inside Out’, intends to break through a prejudiced perception of people based on their locality, and will reveal how the effected persons perceive themselves. The work will accumulate in an arts trail and photographic publication that will be presented as part of Artlands, the Regional Arts Australia biennial conference returning to NSW for the first time in 14 years. Arts delegates from all over Regional Australia will converge on the city of Dubbo in October 2016.
Albada is a multi-disciplinary artist with a focus on socially engaged practice. Her work explores relationships within communities, surveying the social and cultural identity in relation to place. Multi-layered stories and topics are conveyed by means of hybrid installations including the location and community participation as a primary element. These works are a public platform for marginalised groups; providing an opportunity to share points of view and individual world experience.